Gaze: Not looking directly at the camera, looking to the side or slightly down

Shift the gaze away from directly looking at the camera to reduce the feeling of being posed.

Eyes should look towards the front outside the camera, or slightly down towards the lower diagonal. The iris and pupil must follow the turn, the distribution of the whites of the eyes on both sides should change accordingly, and the curve of the upper eyelid and the direction of the eyelashes should also be adjusted. This is not just turning the head while the eyes still stare at the camera.

When the gaze is lowered, the upper eyelid will cover more of the iris, and the shadow of the eyelashes will fall on the lower eyelid; this detail must be included.

The reflection points in the eyes must move with the rotation of the eyeballs, not remain fixed in place.

There should ideally be a reason for the direction of the gaze: someone or something outside the frame, or simply daydreaming.

Keep all other parts completely still.

Avoid: inconsistent gaze between two eyes, asymmetrical pupil positions, reflection points not moving, too much white of the eye appearing like rolling eyes, only head angle changed without eyeball movement.

Translated from Chinese by AI.

把直視鏡頭的視線移開,減少被安排好的感覺。

眼睛看向鏡頭外側前方,或微微垂下看向斜下方。虹膜與瞳孔要跟著轉,眼白在左右兩側的分布隨之改變,上眼瞼的弧度與睫毛方向也一併調整,而不是只把頭轉開而眼睛還盯著鏡頭。

視線垂下時上眼瞼會覆蓋較多虹膜,睫毛的投影落在下眼瞼上,這個細節要做出來。

眼神裡的反光點要跟著眼球轉動移位,不可以固定在原處。

視線的方向最好有個理由:畫面外有人、有東西、或只是在發呆。

其餘部分完全不動。

避免:兩眼視線不一致、瞳孔位置不對稱、反光點沒有跟著移動、眼白過多變成翻白眼、只改頭的角度而眼球沒動。