Every Piece Has a Story: Narrative Stacking

A room accumulated through travel and time. Objects clearly come from different places and eras: Moroccan brass lamps, Japanese ceramic bowls, African wooden masks, European antique mirrors, Southeast Asian textiles, Indian brass plates, contemporary art prints. Their styles are unrelated, but because they all bear traces of use and time—worn edges, faded surfaces, repaired parts—they form a common texture. The display method is random and personal, not categorized by type, but arranged in a staggered manner according to size and height. The walls are dark, allowing these objects to float forward. Avoid: arranging objects in a museum-like neat categorization, using brand new, flawless replicas, having everything come from the same culture, depicting the space like a merchandise display.

Translated from Chinese by AI.

一個由旅行與時間累積而成的房間。物件明顯來自不同的地方與年代:摩洛哥的銅燈、日本的陶碗、非洲的木雕面具、歐洲的古董鏡、東南亞的織品、印度的銅盤、當代的藝術印刷。它們的風格互不相干,但因為都帶著使用與時間的痕跡——磨損的邊角、褪色的表面、修補過的部位——而形成一種共同的質地。陳列的方式是隨機而個人的,不按類別分區,而是依照大小與高低錯落擺放。牆面是深色的,讓這些物件浮出來。避免:把物件排成博物館式的整齊分區、使用全新無痕的複製品、讓所有東西來自同一個文化、把空間畫得像商品陳列。