Biomorphic Forms and Patterns: Nature's Shapes Are Not Natural Objects

A space that uses natural forms but no real living things. The ceiling structure is a bifurcating tree-like column, expanding upwards from a single point into multiple branches; the镂空 pattern of a screen is derived from the branching logic of leaf veins, with lines gradually branching from thick to thin; the carpet pattern is an abstraction of water ripples; the wood grain of the cabinet doors is deliberately arranged in a radial pattern. These are analogies of forms, not realistic depictions—no flowers, birds, or trees are drawn, but rather the generative logic of nature is adopted: branching, spiraling, waving, fractals. Because they are abstract, they will not appear vulgar. Materials are wood, stone, and textiles. Avoid: using realistic animal and plant patterns and murals, adding cartoonish natural graphics, making patterns into regular geometric repetitions, using high-saturation decorations.

Translated from Chinese by AI.

一個使用自然形態但沒有真實生物的空間。天花的結構是分岔的樹狀柱,從一點向上展開成多根分枝;一片隔屏的鏤空圖案取自葉脈的分岔邏輯,線條由粗到細逐級分支;地毯的紋樣是水面波紋的抽象;櫃門的木紋被刻意排列成放射狀。這些都是形態的類比而不是寫實的描繪——沒有畫出一朵花、一隻鳥或一棵樹,而是採用了自然界的生成邏輯:分支、螺旋、波動、分形。因為是抽象的,它們不會顯得俗氣。材料是木、石與織品。避免:使用寫實的動植物圖案與壁畫、加入卡通化的自然圖形、讓圖案變成規則的幾何重複、使用高彩度的裝飾。