地形操作的抵达庭：阶段、水与石

Design a resort arrival court in the manner of Vladimir Djurovic, shaped by precise level changes rather than planting. Terrace the ground into a series of broad shallow stone platforms descending toward the entrance, each a single large-format honed stone plane with a crisp shadow-gap edge, so the ground reads as a stack of precise horizontal slabs. Run a thin channel of water down the centre of the descent, only a few centimetres wide, its sound the dominant sensory element. Place a small number of large boulders in their natural rough state at the terrace edges, deliberately contrasting with the machined stone. Keep planting to a minimum: two or three sculptural trees with clear trunks and a low ground cover of a single species. Detail lighting as slim linear slots recessed into the stone risers, invisible by day. Keep the palette entirely stone grey, water and green. Show dusk with the recessed lights beginning to read. Photorealistic, austere, precise and sculptural, eye-level view down the terraces.