東洋の余白書斎：対称性、屏風、墨の感性

Render a Taiwanese study designed with contemporary East Asian symmetry and restraint. Compose the room strictly about a central axis: a solid dark timber desk placed dead centre facing the viewer, flanked by two identical full-height cabinet runs in the same timber, with matching recessed niches at eye level on each side. Behind the desk, hang a large abstract ink-wash panel in soft greys and blacks, its composition mostly empty with one dark gesture — the visual anchor of the room. Detail the ceiling with a single recessed light slot running the length of the axis. Keep the desk almost bare: one inkstone, one brush rest, a stack of paper, a single reading lamp with a paper shade. Show a translucent paper-and-timber sliding screen on one side, filtering daylight into an even soft glow. Use a dark honed stone floor with a single tatami-like mat under the desk. Photorealistic, symmetrical composition, quiet and scholarly, straight-on eye-level view.