画家の空間認識：多視点と流動的なパースペクティブ

Design an interior in the manner of Chen Chi-kwan, an architect who was also an ink painter and who composed space the way a Chinese handscroll is read — several viewpoints at once, no single vanishing point, the eye travelling laterally rather than into depth. Compose a long low room whose openings are placed to reveal a sequence of separate framed scenes rather than one perspective, a shifting floor level, a horizontal ribbon window with a garden reading as a scroll, pale plaster and dark timber, soft even light, eye-level lateral view, 35mm lens, interior photography, ultra photorealistic, 8K