グレー・ホワイトのミニマリズムと演劇的な光と影：素材を最小限に

Show a Taiwanese residential interior worked in a restrained grey-and-white language where light does the decorating. Reduce the material palette to three things only: a pale micro-cement floor and walls, fine-grained white oak joinery, and slim blackened steel for edges and frames. Keep every surface flat and matte, with no pattern, no moulding and no visible hardware. Compose the room around a single dramatic light event — a tall narrow slot window casting one hard bright shape across the floor and up a wall, its edges crisp, everything else falling into a soft even grey. Detail the joinery as large plain volumes with deep shadow gaps, some pulled away from the wall to float. Include a glass-block or fluted-glass panel somewhere in the composition, glowing softly as a secondary light source. Furnish minimally — one low sofa, one stone side table, one tall plant. Keep the mood quiet, almost theatrical, closer to a gallery than a showroom. Photorealistic, wide eye-level view with strong controlled contrast.