From Floor to Wall to Furniture: The Same Surface

A space where boundaries completely disappear. The floor curves up to become a wall, the wall protrudes inward to become a long bench, the bench extends to become a countertop, and the countertop returns to the wall, all in the same material, the same color, and the same continuous curved surface, without any seams, trim strips, or material changes. The material is hand-troweled mineral plaster, in a warm beige-brown color, with subtle trowel marks and variations in depth on the surface. Because there are no divisions, it is difficult to discern where the architecture ends and the furniture begins. A few plain cushions and a piece of coarse pottery are placed on it. Light enters from an opening on one side, creating long gradients on the continuous curved surface. Avoid: showing material changes and seams, adding independent furniture, having clear boundary lines between floor and wall, using different colors to distinguish areas.

Translated from Chinese by AI.

一個界線完全消失的空間。地板向上翻起成為牆面、牆面向內突出成為一張長凳、長凳延伸成為一個檯面、檯面再回到牆面,全程是同一種材料、同一個顏色、同一個連續的曲面,沒有任何接縫、收邊條與材質變換。材料是手工抹製的礦物塗料,顏色是溫暖的米褐,表面有細微的抹痕與深淺變化。因為沒有任何分界,人很難判斷哪裡是建築、哪裡是家具。上面放著幾個素色的坐墊與一只粗陶器。光線從一側的開口進來,在連續的曲面上形成長長的漸層。避免:出現材質的變換與接縫、加入獨立的家具、讓地牆有明確的交界線、使用不同顏色區分區域。