No dramatic moments during the day

The same space juxtaposed at three different times of day, illustrating its deliberate avoidance of dramatic moments. The difference between the morning, noon, and evening scenes is minimal: because a thin sheer curtain diffuses all direct light, only diffused light enters at any time, with only slight changes in overall brightness and color temperature. There is never a sun-cut light patch on the wall. This contrasts with most spaces—designs that rely on dramatic light at a certain time of day are bland for the other twenty hours. Here, the choice is to forgo that climax in exchange for all-day stability. The furniture and viewpoint are identical in all three scenes. Avoid: having a clear light patch and strong shadows appear at any time, exaggerating the differences between the three times, removing the sheer curtain to allow direct light, changing the furniture and viewpoint.

Translated from Chinese by AI.

同一個空間在三個時段的並置,說明它刻意不製造高潮。上午、正午、傍晚三張畫面的差別極小:因為窗上有一層薄紗把直射光完全打散,任何時刻進來的都是漫射光,只有整體亮度與色溫略微改變,牆上從來不會出現一塊被太陽切出來的光斑。這與大部分空間相反——那些靠一天中某個時刻的戲劇光線來成立的設計,其餘二十小時是平淡的。這裡選擇放棄那個高潮,換取全天候的穩定。三張畫面的家具與視角完全相同。避免:讓某一個時段出現明確的光斑與強烈陰影、拉大三個時段的差異、拿掉紗簾讓直射光進來、改變家具與視角。