Tilt-Shift Correction: Vertical Lines Never Converge

Create an architectural visualisation with strict two-point perspective and perfectly vertical verticals, as a tilt-shift lens produces. Show a tall building photographed from ground level with every vertical line in the frame — the building's corners, the window mullions, the lamp posts, the door jambs — running exactly parallel to the image edge with absolutely no convergence toward a vanishing point. Detail the consequence honestly: because the lens is shifted rather than tilted, the building occupies the upper portion of the frame and a generous amount of foreground ground plane fills the lower portion. Show that foreground as considered rather than wasted — a paved forecourt with a pattern, a shadow falling across it, a figure walking. Detail the horizon as sitting low in the frame at true eye level, around 1.6 metres. Keep the composition rigorously symmetrical or deliberately offset, never accidental. Photorealistic, disciplined, architectural photography convention, eye-level view.