Underwater Perspective: The World Seen Looking Up from a Pool

Underwater Perspective: The World Seen from Inside the Pool
The camera is positioned slightly below the water surface, with the lens half in the water and half above, thus the image is divided into two worlds by the waterline: the lower half shows clear water, the texture of the pool bottom stone, and shimmering light patterns; the upper half shows the pool edge, the architectural volume, and the sky, with completely different colors and clarity. The light below the water surface is bluish-green and finely granular; the light above is normal. Bubbles rise from the edge of the frame. A person's legs are underwater, upper body above water, with the body cut and misaligned by the water surface. Shot under strong daylight, the underwater light patterns and the architecture above water are both clearly visible.
Avoid: Turbid water obscuring the pool bottom, crooked or unclear waterline, consistent light above and below water, frame filled with bubbles.

Translated from Chinese by AI.

相機在水面下方一點點的位置,鏡頭一半在水裡、一半在水上,畫面因此被水平線切成兩個世界:下半部是清澈的水、池底的石材紋理與晃動的光網;上半部是池緣、建築的量體與天空,兩者的顏色與清晰度完全不同。水面下方的光線偏藍綠,顆粒細膩;上方的光線正常。有氣泡從畫面的邊緣升起。人的腿在水下、上半身在水上,身體被水面切開並且錯位。日間強光下拍攝,水下的光網與水上的建築同時清楚。避免:水質混濁看不清池底、水面線歪斜不明確、水上與水下的光線一致、畫面被氣泡佔滿。