Integration of Live Broadcast: Camera Positions, Power Supply, and Signals

An exhibition space with provisions for live streaming: three fixed camera positions are set up, one on a high platform at the rear of the audience area, one at a low-angle position on the side wing of the stage, and one overhead camera position on the ceiling truss. Each position has pre-installed power and network interfaces, eliminating the need for temporary cabling during performances. Signals are centralized in a control room of approximately 6 square meters on the side, which contains a switcher, a wall of monitoring screens, and an audio multi-track interface, along with a viewing window directly overlooking the stage. The control room is soundproofed both inside and out. The image shows the interior of the control room and the stage outside the window. Avoid: temporary camera setups with cables crossing pathways, control room without a viewing window, mixing with FOH in the same location, signal cables crossing audience pathways.

Translated from Chinese by AI.

一個為直播預留條件的展演空間:三個固定機位分別設在觀眾區後方的高台、舞台側翼的低角度位置,以及天花桁架上的俯視機位,每個位置都預留了電源與網路接口,不需要在演出時臨時拉線。訊號集中到側邊一個約 6 平方公尺的控制間,裡面有導播台、監看螢幕牆與音訊分軌介面,並有一面觀景窗直接看向舞台。控制間內外隔音。畫面呈現控制間內部與窗外的舞台。避免:機位臨時架設拉線橫越動線、控制間沒有觀景窗、與 FOH 混在同一個位置、訊號線與觀眾動線交錯。