Three Weathers of the Same Building: How Representation Affects Mood

Take the supplied architectural render and produce three versions side by side, keeping the camera, geometry, materials and entourage identical while changing only the weather and light. Panel one, clear morning: crisp low sun from the side, deep blue sky, hard-edged shadows, saturated colour, an optimistic and precise feeling. Panel two, heavy overcast: flat directionless light, no shadows, a pale grey sky, desaturated colour, damp ground, a sober and honest feeling. Panel three, dusk storm: a dark broken sky with a bright break at the horizon, the building lit dramatically from one side, every interior glowing, wet reflective ground, high contrast, a dramatic and cinematic feeling. Keep the figures in exactly the same positions in all three, only adjusting their lighting, so the comparison isolates weather alone. Add a caption beneath each panel. Photorealistic, matched framing, three weather states, comparative composition.