Layers of Texture: Incorporating Glossy, Matte, Soft, Hard, Rough, and Smooth

A maximalist space where texture variation replaces color variation. The entire room's color palette is very narrow, falling entirely between ochre-brown, cream, and dark coffee, but the variety of textures is extremely rich: coarse woven jute rugs, smooth velvet throw pillows, matte pottery, reflective brass, rough handmade terracotta tiles, soft long-pile textiles, hard marble, translucent glass, coarse linen curtains, smooth leather. These textures are adjacent to each other, reacting completely differently to light—some absorb light, some reflect light, some create shadows. Thus, although the space is almost monochromatic, it is incredibly rich. Light comes from the side. Avoid: adding strong color contrasts, reducing the variety of textures, using uniform frontal lighting to eliminate textural differences, depicting all surfaces with the same sheen.

Translated from Chinese by AI.

一個以質地變化取代顏色變化的極繁空間。整個房間的色彩範圍很窄,全部落在赭褐、奶油與深咖啡之間,但質地的種類極多:粗編的黃麻地毯、光滑的絲絨抱枕、啞光的陶器、反光的黃銅、粗糙的手工陶磚、柔軟的長毛織品、堅硬的大理石、半透明的玻璃、粗麻的窗簾、光滑的皮革。這些質地彼此相鄰,在光線下產生完全不同的反應——有的吸光、有的反光、有的產生陰影。因此空間雖然幾乎單色,卻豐富得不得了。光從側面來。避免:加入強烈的顏色對比、讓質地種類減少、使用均勻的正面打光消除質地差異、把所有表面畫成同樣的光澤。