Hands: Partially obscuring the hand with an angle or by covering

Do not fully and clearly reveal the hand; this is the most direct way to reduce the risk of hand distortion.

Use body angle, pockets, cuffs, hair, bags, or foreground objects to naturally obscure part of one hand: fingers tucked into a cuff, half a hand in a pocket, one hand blocked by the side of the body, or the hand falling outside the frame's crop line.

The key is that the obstruction must have a reasonable source, clearly showing what is blocking it, rather than disappearing into thin air, blurring into a blob, or dissolving into the background. The boundary between the obscured and revealed parts must be clean, and there should be a correct layering relationship between the cuff and the wrist.

The other hand can be fully shown, but try to give it a simple pose with minimal finger overlap.

Keep all other parts completely still.

Avoid: hand abruptly cut off, no existing obstruction, hand and obstruction penetrating each other, obscured area becoming a blurry color block.

Translated from Chinese by AI.

不要把手完整而清晰地交代出來,這是降低手部崩壞風險最直接的做法。

利用身體角度、口袋、袖口、頭髮、包包或前景物件,讓其中一隻手有一部分被自然遮住:手指藏進袖口、半隻手插在口袋裡、一隻手被身體側面擋掉、或手落在畫面裁切線之外。

關鍵是遮蔽要有合理的來源,看得出是什麼東西擋住的,而不是憑空消失、糊成一團或溶進背景。被遮住與露出的交界要乾淨,袖口與手腕之間有正確的層次關係。

另一隻手可以完整呈現,但盡量給它一個簡單、少手指重疊的姿勢。

其餘部分完全不動。

避免:手憑空截斷、遮蔽物不存在、手與遮蔽物互相穿透、被遮住的區域變成模糊色塊。