Museum Tapering Upwards: Golden Eaves and Three Atria

A museum by the sea, with its volume gradually expanding from bottom to top, small at the base and large at the top, forming an inverted trapezoidal section, echoing the shape of traditional ritual vessels. The exterior wall is made of beige-gold cast aluminum panels with subtle vertical textures on the surface, presenting a soft luster in the sunlight rather than a mirror reflection. A 12-meter-high square entrance niche is opened in the center of the front facade, with a dark top surface for the niche. Inside the building are three vertically stacked courtyards, each with a different orientation, appearing from the outside as three horizontal openings at different heights, allowing views through to the sea and mountains. In front is a large stone-paved plaza. Avoid: using a golden mirror finish for the exterior wall, making the volume square or smaller at the top and larger at the bottom, adding a canopy to the entrance, incorporating traditional roof forms.

Translated from Chinese by AI.

一棟臨海的博物館,量體從下往上逐漸放大,底小頂大,形成一個倒梯形的斷面,呼應傳統禮器的形。外牆是米金色的鑄鋁板,表面有細微的縱向紋理,在陽光下呈現柔和的光澤而不是鏡面反射。正面中央開一個高 12 公尺的方形入口凹龕,凹龕的頂面是深色的。建築內部有三個垂直堆疊、方位各異的中庭,從外面看是三處不同高度的水平開口,可以望穿到海與山。前方是大片的石鋪廣場。避免:外牆使用金色鏡面、量體做成正方或上小下大、入口加裝雨庇、加入傳統的屋頂形式。